Test Results :: Loch Ness

CiM Loch Ness (CiM432) is a very dark green moonstone colour, although to me it just seems like a very dark transparent since it is quite difficult to see through, even when used in thin layers. It's a very well-behaved colour, buttery and easy to control except that it gets a lot easier to boil it when applying it in thin layers with stringer. Work cooler and higher up in your flame to avoid this problem.

Loch Ness does not change colour when you reduce it, and looks pretty much black when used in self-coloured spacers.

Silver dissolves in a fun way on top of Loch Ness, looking almost like a starscape or galaxy. When the silver is reduced and encased, it opacifies on top of the Loch Ness and develops hints of blue here and there.

This colour has potential as a good base colour for silver glass. Both my reducing silver glass and my striking silver glass got great colour on top of it.

Copper Green separates with Loch Ness, but apart from that it is not a terribly reactive colour. This reaction happens with Light Turquoise as well, so I suspect it will happen with most turquoise opaque glasses.

This colour does not react with Ivory, and it is always good to find greens and blues where that is true.


These beads all contain some Loch Ness:

Test Results :: Pale Purple (Pale Amethyst)

Effetre Pale Purple (EFF046), also called Pale Amethyst, is a very pale purple transparent colour. It is not very reactive with silver or other colours, and is reasonably well-behaved in the flame, resisting my "expert" attempts at boiling it.

Overall, I quite like this colour. I don't use a lot of pale transparents in the beads I typically make, but I like having one in each hue group that I can call on reliably when I need one.

Pale Amethyst doesn't change colour when you reduce it.

Here you can see that silver stays silver under Peal Amethyst. When silver is reduced and encased on top of Pale Amethyst, it develops a bluish haze.

Pale Amethyst is a decent base colour for silver glass, but it doesn't cause any magic to happen. in the striking silver glass frit. I quite like the way the reduction frit looks.

On top of Pale Amethyst, Copper Green separates and Ivory spreads and looks 'floaty'. Ivory and Peace both spread like mad on top of it, but Opal Yellow stays crisp and thin. Other than those observations, there's not much more to see here. Pale Amethyst is not very reactive.