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October 5, 2020

Test Results :: Dark Emerald


Effetre Dark Emerald is a vibrant, pure medium green transparent. It is relatively inert with other colours -- even with Ivory it has only a very slight brown line reaction. I was expecting it to be more reactive than it is, so I was pleasantly surprised.


Here, you can see that reducing Dark Emerald makes no appreciable difference in itsappearance.


Dark Emerald does nothing with silver until you reduce and encase the silver - then you get faint bluish hints here and there that remind me of how silver interacts with the cobalt blues.


Dark Emerald seems to make a nice base for both reducing and striking silver glass.


And finally, here you can see how very non-reactive this colour is. You'll notice there's a weird, dark sooty line between the Ivory and Peace, but I think that is nothing to do with Dark Emerald and quite a lot to do with me needing to clean my torch head. Also, there was a batch of Peace that did this fairly easily a few years back, and it's possible that I still have a few rods of it mixed in with my newer stock.

And here are some fun beads with Dark Emerald.  On the whole, I think this colour is a bit brighter than I really like to work with. If I am going to use the rest of my stock, I think I will probably mix it with other transparent colours to see what I can do with it in blends.




September 25, 2020

Test Results :: Antique Ivory


Effetre Antique Ivory (EFF481) is a dark ivory-coloured glass that has a similar reaction profile to Light Ivory and Dark Ivory but it is just a little more muted in hue. Like the ivories, this reacts interestingly with silver and makes good Silvered Ivory Stringer.


Here, you can see that Antique Ivory doesn't change colour when you reduce it.


Silver darkens Antique Ivory and crusts up on its surface. When the reaction is reduced and encased, the darkening of the Antique Ivory goes away.


Like Light and Dark Ivory, this colour makes a good base colour for silver glass. The colour develops well on top of it, and it has interesting blackening/crinkling at the edges of the fritty bits, too.


Apologies for the dirt you can see on the Tuxedo end of the leftmost bead. It's been hard to find time to do anything bead-related over the last few months and I don't have the energy to retake that photo.

You can see in the rightmost bead here the Antique Ivory curdling underneath the other colours I used it with. Like Light and Dark Ivory, this colour gets a dark line around it when used with Copper Green, although the line is more subtle with this colour when the Antique Ivory is on top.  Ivory spreads out on top of this colour.

The edges of Tuxedo dots and stringer lines get all blurry on top of this colour but, interestingly, Antique Ivory on top of Tuxedo seems not to be a reactive pairing. 

Like Light and Dark Ivory, this colour forms a subtle brown line reaction with Opal Yellow.

Here are some fun little pairs that include Antique Ivory.










September 18, 2020

Test Results :: Peacock Feather / Surfs Up


CiM Peacock Feather (CiM576) and Surf's Up (CiM575) are Opal and Misty Opal versions of a gorgeous turquoise colour. They have interesting reactions with other colours, and seem like a good base for silver glass. I made these beads with Peacock Feather, but I expect the reactions for Surf's Up would be quite similar.



The spacer on the right is not really darker, it is just smaller and is letting through more of the dark grey base I take my photos on. Reducing Peacock Feather doesn't change its colour.



Silver gets all beaded and crusty on top of Peacock Feather. When the silver is reduced and encased, it forms a mottled silvery blanket under the clear with hints of blue haze.


The reducing silver glass frit is not very interesting on top of this colour, but I did get a nice starting strike from the striking silver glass.


Copper Green, Opal Yellow, Ivory, and Peace all separate when used with Peacock Feather.

These beads contain Peacock Feather or Surf's Up:


Peacock Feather

Surf's Up