October 8, 2019

Test Results :: Little Boy Blue


CiM Little Boy Blue (CiM561) us a gorgeous blue-grey opaque. It's butter-smooth, and reminds me a lot of Dirty Martini and Lapis in terms of how nice it is to work with. I'm sad to see that it is already sold out, but I hope that hearing how nice we all think it is might inspire CiM to make more of it for us.


Little Boy Blue does not change colour when you reduce it.


On top of Little Boy Blue, silver disappears. Until you reduce and encase it, and then it sits like a cloudy, silvery blanket under the clear layer. This is the exact opposite of what happens between silver and Dirty Martini, so I guess here is where those colours' similarities end.


Reducing silver glass frit is pretty on top of Little Boy Blue, and it really stands out as an excellent base of striking silver glass frit. I got beautiful colour  from my TerraNova2 here, and beautiful separation haloes around all the little fritty bits.


Little Boy Blue separates on top of Tuxedo, but it is not very reactive with other colours. Copper Green stays very grey on top of it.

Here is a pair of beads made with Little Boy Blue. I'll come back and publish some more when I have them.

September 30, 2019

Test Results :: Medium Blue


Effetre Medium Blue is a medium blue colour when used in concentration, but is very pale when used in fine layers. It's a good base colour for silver glass, and it has interesting reactions with silver but is not terribly reactive with other colours.



Medium blue does not change when you reduce it.


Silver goes yellowish on top of Medium Blue, but when you reduce it it goes all blue and cloudy.


My reducing silver glass looks a bit dull on top of Medium Blue, but it also has good delineation. I got a great starting strike from my TerraNova2 frit on top of this colour, so I'll flag this as one of the colours that's nice under striking silver glass.


Medium Blue is not a very reactive colour. I was pleasantly surprised that it didn't react with Ivory.

If you look closely at the bead where I've used Ivory and Opal Yellow on top of Medium Blue, you can see an interesting thinning of the colour around the edges of the stringerwork. I think it might be fun to use this effect in little dot beads, so I know what I'll be doing with the rest of my Medium Blue.

Here are some other beads made with Medium Blue:




September 13, 2019

Test Results :: Oracle742.pst


Oracle742.pst is a very pale pink opaque glass. In certain combination with other colours, and given some extra heat, that pink can darken into a medium mauve colour. This colour is well-behaved for the most part, but can get fizzy and boily when you use it in fine stringers.


This colour does not change when it is reduced.


I got some interesting orange/yellow tones from silver on top of this colour, but that blush of colour faded when I reduced and encased the silver.


The silver glass frit fumed Oracle742.pst a yellowish colour, and I got a reasonably good starting strike from my TerraNova2 frit on top of this colour.


On top of this colour, Tuxedo loses its integrity a little bit and bleeds a bluish halo into the Oracle742.pst.  Opal Yellow, Ivory, and Peace all spread excessively on top of this colour and it is very interesting to note that where you can see flashes of it between Opal Yellow and Ivory dots and lines, the colour of it is a more vivid pink than it is on its own.

On top of Ivory and Opal Yellow, this colour separates fairly dramatically into a lighter and darker version of itself. There is also separation in Oracle742.pst on top of both Tuxedo and Copper Green. On Tuxedo, this effect lends it a faint translucency, but the weirdest thing is the bright turquoise that appears around it on top of Copper Green.

Here are some more interesting beads containing Oracle742.pst.


The pale pink lines and dots in this bead are Oracle742.pst, but the little wavy pale pink bands with dark pink centres are also Oracle742.pst. I'm not sure how the colour gets darker, but I suspect it has something to do with reacting with the other things around it.

Interesting side note... I am not able to try this because I don't have any more of this colour but when I added a little Grass Green Opaque to Vetrofond Light Pink, I got a dark purple colour. I wonder what this colour would do with some green added to it?

September 6, 2019

Test Results :: Budgerigar


CiM Budgerigar (CiM477) is the misty opal twin of Ectoplasm, and both colours are a lovely light green.


Budgerigar does not change colour when you reduce it.


You can see blue in the silver leaf where I've melted it into the surface of Budgerigar even before reducing and encasing it. Reducing and encasing silver on top of Budgerigar yeilds a snowy, blue-streaked blanket under the clear layer.


My reducing silver glass frit came out quite pretty on top of Budgerigar, but colour in my TerraNova2 didn't develop quite the way I thought it would after using Ectoplasm. Possibly it just needed a hair more heat to bloom - more experimentation required.


Budgerigar is not very reactive with other colours, although it does separate Copper Green, Ivory, Opal Yellow, and Peace.

Here are some other beads made with Budgerigar:




August 29, 2019

Test Results :: Cream


Vetrofond Cream (VET822) is a pale, neutral opaque. It is a bit cooler in tone than the coveted Vetrofond Light Ivory, but it is similarly stiff and has gentler reactions with unfriendly colours than the Effetre ivories. I love this colour a lot, so I was sad to see the last time I was at Frantz Art Glass that it is all gone.

This colour's only real weak point is that is sometimes has little black speckles in it. I don't mind the speckles, and if they're in my way I just pull them out, but some other people seem not to like them. You can make up your own mind if you're lucky enough to come across some of this glass.


Cream doesn't do anything much when you reduce it.


Silver crusts up on top of Cream. When the silver is reduced and encased, it looks the same but smoother and less interesting.


Cream makes an ok (but not awesome) base for silver glass. I like it better with the reduction colours than with striking ones like TerraNova2.


Here you can see that Cream separates on top of Tuxedo and makes Tuxedo bleed when Tuxedo is used on top of it.

Cream does develop a dark line with Copper Green, but mostly only when it is used on top. The dark line reaction that it has with Opal Yellow is stronger.

I didn't make any interesting observations about its behaviour with Ivory or Peace.

Here are some beads that contain Vetrofond Cream.







August 22, 2019

Test Results :: Oracle White


Double Helix Oracle White is a white, opaque glass. It is stiffer than either Peace or Effetre White, and reacts similarly to silver as other white glasses do, but its reactions with other colours are more unique.

Because this colour is stiffer, it is well-suited to applications like stringer and sculptural work. As you'll see, Oracle White is a little more translucent, so when it is used on top of a dark colour in thin layers, a tint of the base colour shows through. Because more light passes through it, Oracle White's colour is a little brighter than that of either CiM Peace or Effetre White.

This white  also seems like it is a little more difficult to smear than other whites, making it great for flower petals in encased florals.


Oracle White does not change when you reduce it.


Here is CiM Peace, Double Helix Oracle White, and Effetre White all side-by-each on top of Oracle Black. Oracle White is a bit less opaque than either Peace or Effetre White, but not so much that it doesn't show well over a dark colour. It still covers reasonably well, so if you happen to be looking for a cooler, lighter effect, it can be a good choice for stringerwork.

If you blow the picture up really big, you can see that Oracle White and Peace both get a slight border around them on top of the Oracle Black.


Here I mixed Oracle White and Effetre White with Effetre Light Cobalt. Light Cobalt is a really saturated colour, and I thought it would be a good test to evaluate whether Oracle White is more translucent than Effetre White and CiM Peace because it is less saturated, or if there might be some other reason. In my results, the blue that resulted from the Oracle White mix is a bit darker, which helps to support my theory that this White is slightly less saturated than the CiM and Effetre ones.


Oracle White's reactions with silver are very similar to what I experienced with other Whites. If you're interested, you can look back at my test results for other whites: Effetre White, CiM Peace, Ornela Chalk White, Lauscha Kryolith White, Reichenbach White.


In the bead on the left, I've reduced silver glass frit on top of Oracle White, and you can see that it has fumed the White yellow in places. The bead on the right has TerraNova2 frit. It is probably very possible to get silver glass to strike well on top of this colour, but what I am testing when I do this particular test is to see if the base colour has any magic in it that will make getting great colour out of the silver glass easier. Wait until you see my silver and silver glass tests on Oracle Black, and you will see what I mean by 'magic'.


Tuxedo spreads on top of this colour, bleeding into it, and Oracle White separates on top of Ivory. These reactions are not like the reactions I've had with other whites.

Here are some other beads that include Oracle White:





August 15, 2019

Test Beads :: Mantis


Creation is Messy Mantis (CiM472) is a pretty, medium green translucent colour. It is the misty opal cousin of Eclectus Parrot, and like that colour, Mantis is very nice to work with. It doesn't boil and bubble crazily when you heat it, and it stays this beautiful, milky translucent colour no matter how long you work it.


Reducing Mantis doesn't change its colour.


Silver is gorgeous with Mantis, and you can see blue haze forming around it even before the silver is reduced and encased.


And following on the promise that it showed with silver, silver glass on Mantis is magical. I got really interesting surface outlining and haze with my reducing silver glass frit, and my TerraNova2 frit struck on top of it right away in a beautiful array of purples and burgundies with interesting yellow and dark outlining.

For some reason, my silver glass results are more interesting with this colour than they were with Eclectus Parrot. Maybe whatever makes this colour 'misty' also makes it love silver glass more.


Mantis is not very reactive with other colours, but Opal Yellow separates on top of it and Copper Green looks very ominously grey on top of it.

Here is a bead pair with Mantis: