1 - Plain, 2 - Plain (reduced), 3 - w/ Silver Leaf, 4 - w/ Silver Leaf (reduced & encased), 5 - w/ TerraNova2 Frit, 6 - w/ Silver Glass Frit (reduced), 7 - w/ Tuxedo, 8 - w/ Copper Green, 9 - w/ Opal Yellow, 10 - w/ Ivory, 11 - w/ White
Faded Rose is the first of a few Lauscha Milky Way colours that I tried last fall and quite liked. I have no idea how to keep these Milky Way colours opalescent, but that doesn't matter very much since I'm getting interesting results with them the opaque way.
Like Thüringen Herb, Faded Rose has an interesting relationship with silver and silver glass, and is beautifully reactive. The colour of it seems to range from a light, pinky peach to a darker, more purplish pink, depending on how much it is struck and the colour(s) it is used with. It also can acquire some yellow tones, as I'll discuss below.
The reaction between Faded Rose and silver leaf is not anything like what I got when I did my testing of Thüringen Herb. On top of Faded Rose, silver leaf webs and beads up in interesting, lace-like patterns. Reduced and under clear, this lace-like pattern with its dots and whorls is still very much in evidence, although softer. The colour of the Faded Rose under silver leaf is a murkier, dark tan-rose. When the reaction is encased, it looks more like a soft pink.
With TerraNova2 frit, the colour of the Faded Rose is not much changed, although it is clear that one side of the bead has struck more here than the other. The right side of the bead is a little pinker, and I think it got a little more heat. In the bead on the right, you can see that reducing silver glass frit is very interesting on top of Faded Rose, and that the combination of the silver and the reduction has blushed the Faded Rose to an odd yellowish-orange colour.
There is no reaction to speak of between Tuxedo and Faded Rose, but the Faded Rose looks more purple when it is used with Tuxedo.
Like with Tuxedo, Faded Rose has a more purply-pink hue when it is used with Copper Green. There is also a very fun reaction between the Faded Rose and the Copper Green, which is a light turquoise outline that occurs between the two colours. Copper Green does not seem to sheen up when used with Faded Rose, either, which is happy.
On top of Faded Rose, Opal Yellow dots go sort of soft in the middle, and look like the centres of them have collapsed. The stringer lines get a faint, clear line down their centres as well. When Faded Rose is used over Opal Yellow, it curdles the surface, with an Opal Yellow halo rising up to surround the Faded Rose dots and stringer lines.
There is not a lot of reaction to speak of between Ivory and Faded Rose, which is nice, because a lot of pinks do not get along with Ivory at all. On top of Faded Rose, the Ivory lines and dots are nice and crisp. On top of Ivory, Faded Rose kind've gets lost and the Ivory goes a little funny and translucent in patches.
On top of Faded Rose, White separates and develops a clear line down its centre. Faded Rose is not very strong on top of White.
Faded Rose (and all of the other Milky Way colours I've tried, too) make a really gorgeous base colour for organics. This bicone has a base of Faded Rose. I made a nicer one, too, but broke it getting it off the mandrel.